Posts Tagged ‘Erika Kelly’

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Okay, WHO let this one slip through the cracks? We’ve done multiple posts about wanting to read the first in this series, You Really Got Me. Susan and Michelle have read books One and Three. So why no love for Number Two?

Let’s fix that right now.

Derek Valencia finally has the success he’s worked so hard for. His band is touring its debut album and great reviews are rolling in. But when pictures of him tossing naked groupies off a balcony go viral, it’s damage-control time. He’s assigned a “babysitter” whose sole job is to keep him out of trouble.

Violet Davis swore she’d never work in the music industry again, but being a minder for a rock star will earn her enough to pay off the mortgage on her wildflower farm. And for a girl brought up in the foster care system, owning her own home means more to her than anything.

Though at first the two bang heads, the rocker and the farm girl soon grow close and realize that they make sweet music together. But can a girl who craves the stability of life on a farm really make it work with a man whose life is spent on the road with his band?

This is the throwing-naked-groupies-off-balconies book and I haven’t given it its own time here at The Rock of Pages!

Really. If Susan wanted to fire me, she’s got a good reason to. A better than good reason.

So. What more do I need to say? Books One and Three have made it onto the Recommended List here at The Rock of Pages. This one has naked groupies being flung off balconies (take THAT, Led Zeppelin!).

I guess the only thing I need to say is that Michelle got to read the first book, and Susan read the third, so I get this one!

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In a rock fiction book, I love it when the music lives and breathes, when the rock star character transcends cliché, and I give lots of bonus points for a take-charge, professional-woman heroine. You Really Got Me checked all my boxes, and for that, I award it 4.25 stars.

You Really Got Me

The book starts out with Emmie working as an A&R manager’s personal assistant (that’s the guy within a record label who discovers and works with bands). She’s hyper-competent, and from the first page, I loved the detail-oriented peek at exactly what machinations go on behind the curtain of managing bands. However, her boss won’t promote her to finding her own bands, so she says promote me or quit. He says, find me The Next Big Thing and we’ll talk. She moves in with her brother in his rock band’s shared house to cut her expenses while she searches Austin, Texas for a new band to sign.

While there, she becomes friends with the whole band, especially their soulful, manwhore-with-a-heart lead singer, Slater. She overhauls the band’s image, again giving us a cool look at what it takes (beyond the music) to make or break a band. The sexual tension between Emmie and Slater SCREAMS off the page, but she’s been hurt before and she’s not about to be the dumb girl who loses her heart to a rocker right before he goes off on tour and cheats on her.

Nothing new there, right? But like any good trope, it’s all about the execution, and Emmie and Slater breathe life and humanity into the setup, reminding us that this is a familiar story because it’s TRUE. It happens all the time in the musical world. I adored the friendship between Emmie and Slater, and I was dying for the consummation of their relationship almost as much as they were. Plus, once Slater falls for Emmie, he falls hard, and it’s so vicariously delicious to watch such an incredible specimen of a man be totally devoted to his woman. Plus, he doesn’t just play music and write songs, he fixes stuff and helps Emmie run errands and sue me, but that’s just hot. Give me a man with a tool box and a guitar and I need nothing else in life.

Drawbacks? Toward the end, Emmie’s reluctance started to feel a little contrived, like I’d seen too many exchanges of her distrust while Slater laid it all on the line for her. But just as I was thinking that, it wrapped up into a hilarious scene where she realized what she was screwing up. I also would have given it a few more fractions of a star if the rest of the band were filled out more on the page. There were five of them, and that’s a lot, but we didn’t get to know them and their friendship with Emmie as deeply as I would have liked. However, Emmie’s brother and his insecurities and backstory were very nicely filled out, so I’m excited for his book (up next in the series!) What I did love about this book? The realism of the conflict and characters, the mouthwatering sexual tension, the songwriting and performing scenes and oooh la la! The musical details of what it’s like to manage a band. Very cool. This author just won herself a place on my top 10 Rock Fic authors, and I’ll be checking out the rest of her books directly.

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A book about a band manager? That, friends, is my particular niche catnip. Let’s take a peek:

You Really Got Me

The first irresistible novel in a hot new series about a rock star on his way up—and the woman he wants to take all the way…

Emmie Valencia has what it takes to be the music industry’s hottest band manager. She just needs to prove it. Determined to discover a killer new band, Emmie is ready to make her move. First stop: Austin, Texas.

As a sizzling-hot lead singer, Slater Vaughn has no trouble raising heart rates—but his band’s been flat-lining for years. When Emmie, his bandmate’s sister, crashes with them in exchange for some free management, her industry know-how lands them a spot in the biggest music festival in Texas. But it isn’t just her business acumen that catches Slater’s attention. Emmie is sexy and warm, and—for the first time in his life—he wants more.

But as irresistible as Slater is, Emmie is done with musicians. In her experience, a man can’t be a rock star and someone to trust with your heart—but Slater is determined to show her he’s both.

Okay, I have a WIP about a badass tour manager and a rock star, plus one of my best friends lives in Austin, so I’m connecting to this book all over the place. There’s just something about a take-charge woman and a musician that makes a great pairing. However, the “doesn’t date musicians” conflict isn’t a particularly strong one, and the man whore lead singer, while realistic, needs to have a fresh twist (or three) in order to reel me in. After the description, I was undecided, but because I’d love to read about a band manager, I grabbed the free sample and YES!
Even in the first few pages, the good writing and great music details jumped out at me. I grabbed this one, and I’ll let you guys know as soon as the jury returns a verdict.

Note from Susan: How long before Michelle is as big a fangirl as I am? Anyone want to take bets? Sheesh. Erika, come hang with us! Write us guest blog posts! Interact with your loyal fans!

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It was my friend Jessica Topper who first told me about Erika Kelly’s books. She promised I’d love them – and so I could hardly wait to dig in and see for myself how right Jessica was. Which does not explain why, when I ran into Ms. Kelly’s books in the library a few months ago, I didn’t check them out. I’m kicking myself for that now, of course. Why deny yourself something so good?
Take Me Home Tonight is the story of Mimi, the aspiring chef who works for Blue Fire, the band whose stories make up this series. Mimi chases a dream of working for her father and, by doing so, becoming the princess in his eyes that she’s always wanted to be.

Of course, there’s a love interest, in the form of standoffish Calix Bourbon, the keyboard player with major commitment issues.

That’s pretty much the story: how these two heal each other, grow, and come together. But of course, like the best fiction, there’s way more than that. The characters are smart, they are stupid, they are blinded by love and loyalty, they are brutally honest and walled up behind their fears, and they are both afraid to take chances. They are achingly human.

It’s hard not to love Calix’s major entry into the story, when he pulls up on his motorcycle and saves Mimi from a fight with her father. Without uttering a single word, he establishes his bad boy persona, and it’s both hysterical and hot. This man doesn’t need words and it’s almost a letdown when he does begin to use them, especially because when aroused, he’s got a habit of speaking in caveman grunts. “Want you,” he’ll tell Mimi.

I was into it until one of the other guys in Blue Fire speaks the same way to his girl. And then the magic went out. What a shame; it was such a neat nod to that man on the motorcycle.

Another thing I really liked was the issues of family in here. I really liked that these characters had families; how often do our romances exist in a family-free vaccuum? Maybe not as often as memory is trying to serve, but here, the family issues fuel the plot, fuel the characters’ motivations, and help shape the entire story. Both Calix and Mimi are chasing their families, but for different reasons. Calix’s family is close. Mimi’s is the opposite, although not to the polar extreme, fortunately. If anything, Mimi’s family is more in keeping with the relationships a number of my friends and I had with our own families at that age: wanting the best for us but unable to trust that we needed to fumble through on our own in order to be able to fully appreciate the success that came out of those struggles. Even more than the band, I loved the family members, although I’m a little iffy on Jo. She seemed to come around too fast, to be too normal compared to what we are set up to expect.

Coming into the series with this book, I was a bit let down that the members of Blue Fire come off as largely interchangeable. Granted, this is Mimi and Calix’s story, and they should take center stage, but I’d have liked to see more personality in the men, even if that meant they had to struggle a bit with the family for the reader’s attention; the series as a whole does, after all, revolve around them. It took me a good three quarters before I could recall which man had paired off with Violet and which with Emmie. This had a dual effect: to both irritate me beyond belief and to make me swear to go to the library already and catch up on what I’ve missed.

I liked that Mimi was a breath of fresh air and a disruptor in Calix’s life, and I liked that Calix is less of a bad boy and more of a rock, especially for Mimi, but also for his family, for better or worse. This man is solid, and probably one of the best fictional rockers I’ve encountered. And believe me: Rock Fiction is my category. I’ve met fictional rockers. Calix is right up there. Calix is welcome in my life. What a shame he’s not real…

I’ll definitely be reading this one again, for a couple of reasons. The e-ARC I got from NetGalley had formatting issues. I know I missed nuances that I’d have better appreciated without this issue. But also, as I said, I need to start with the first book, You Really Got Me, and immerse myself in the full Blue Fire experience. Take Me Home Tonight was a good place to start, a great introduction to this band, but dammit, it was so good, I want more. MORE.

Just as my buddy Jessica Topper warned me: I’m now an Erika Kelly fangirl.

Don’t miss this series.

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Susan told me to look it up. She said her friend Jessica Topper said Erika Kelly’s the real deal. Let’s see, shall we?

The first book in Erika’s series is You Really Got Me.

Emmie Valencia has what it takes to be the music industry’s hottest band manager. She just needs to prove it. Determined to discover a killer new band, Emmie is ready to make her move. First stop: Austin, Texas.

As a sizzling-hot lead singer, Slater Vaughn has no trouble raising heart rates—but his band’s been flat-lining for years. When Emmie, his bandmate’s sister, crashes with them in exchange for some free management, her industry know-how lands them a spot in the biggest music festival in Texas. But it isn’t just her business acumen that catches Slater’s attention. Emmie is sexy and warm, and—for the first time in his life—he wants more.

But as irresistible as Slater is, Emmie is done with musicians. In her experience, a man can’t be a rock star and someone to trust with your heart—but Slater is determined to show her he’s both.

Lots to like here: the manager is actually managing, not tour managing, and she’s not some chick in a fluffy job. She seems to know her stuff. The hot singer can’t get his band to break through.

We’re off to a good start. Okay, so Emmie’s been with musicians before. Live and learn… but does she have a groupie rep she needs to shed before she’ll be taken seriously as a manager? That would make a cool story. Yeah, we’ve seen it before, but redemption stories don’t get old (I hope). And the idea of finding professional redemption in an industry already tough for women…

Someone tell Susan to start writing again, will ya? She needs to tell that one.

Anyway, here’s the second book’s description:

Derek Valencia finally has the success he’s worked so hard for. His band is touring its debut album and great reviews are rolling in. But when pictures of him tossing naked groupies off a balcony go viral, it’s damage-control time. He’s assigned a “babysitter” whose sole job is to keep him out of trouble.

Violet Davis swore she’d never work in the music industry again, but being a minder for a rock star will earn her enough to pay off the mortgage on her wildflower farm. And for a girl brought up in the foster care system, owning her own home means more to her than anything.

Though at first the two bang heads, the rocker and the farm girl soon grow close and realize that they make sweet music together. But can a girl who craves the stability of life on a farm really make it work with a man whose life is spent on the road with his band?

Throwing naked groupies off a balcony? I am SO there.

I guess I’m getting tired, though, of the “I want to resist the rock star but can’t” — and that’s a big problem on my end. That’s what romance is ABOUT, Jett. Get it together.

Maybe I need to find some Rock Fiction that’s not romance for a bit. Anyone got suggestions?